Initialisation des préalables
(10 à 12)
10
"Il convient de détruire la mémoire dans l'art. De ruiner les conventions de sa communication. De démoraliser ses amateurs."
11
"Initially there was this flatfooted reason to use the resin, which was to encapsulate and make stable ephemeral, water-soluble material"
12
"Nous aimons cette idée que nous ne pourrons plus jamais le recréer parfaitement"
année inconnue,
photographies scannées X fois,
commentaires sans sources.
photographies scannées X fois,
commentaires sans sources.
maybe this might be a little bit off topic...
RépondreSupprimerdid you ever see the documentaries of
Alain Resnais ?
Take a look on this excerpt of "Le chant du styrene" (with an alternate score):
http://www.youtube.com/watch?v=fNzs6sn2QW0
You can't be off topic when there's no topic ;-)
RépondreSupprimerThese photographs are old material I did some 10 years ago, trying to decypher some of the workings of my/our environment using more or less post-modern (and situationnist) tools, but willing not to disconnect from sensitive world, intimacy, personal life and subjectivity. Hence that mish-mash of photographs and quotations that relate both to my personal life at the time AND to some more global approach...
"(...) La matière du documentaire serait alors cette réalité confuse" Guy Debord.
I didn't know Alain Resnais documentaries, and they look great. I'll add "Le chant du styrène" to this blog at once ! (with the original score, though the Vangelis score used on your link works amazingly fine)